The Statue of Liberty is one of the most iconic landmarks in New York City, not to mention all of America and the world. A gift from France and welcoming beacon to immigrants, Lady Liberty has a storied history. It stands to reason that there should be a museum to honor her legacy and the many citizens she’s ushered into the United States.
This will be exactly the case on Ellis Island come 2019. A $70 million dollar museum is being built in devotion to the 130-year-old statue’s compelling past, present, and history. A groundbreaking ceremony on October 6, 2016 unveiled gorgeous renderings of the Statue of Liberty Museum, which will be designed by NYC-based architecture firm FXFOWLE.
The museum is a collaboration between the Statue of Liberty-Ellis Island Foundation and the National Park Service. Entry will be included in the $18 ferry ticket price; this way, all visitors to Ellis Island will have access to what’s shaping up to be a stunning exhibit.
According to Business Insider, the 26,000 square foot museum will have four segments. First is the entrance way, featuring a mural comprised of 50-star sculptures made from iron bars donated by Gustave Eiffel, the architect of the Eiffel Tower. These bars supported the statue for 100 years, and will now serve as a gorgeous and patriotic embellishment for the new museum.
Further inside, a theater space will introduce visitors to the museum and the Statue of Liberty’s history. Past the theater, an area called the Engagement Gallery will take the experience further with interactive exhibits that detail the intricacies of the statue’s construction.
Lastly, a beautiful exit space will let visitors add their own photos and signatures to an interactive wall, allowing them a place in the Statue of Liberty’s living legacy. The entire museum will be constructed out of the same material as the statue—Stony Creek granite, bronze, and plaster—while a beautiful grass-covered roof keeps the space lush and green.
As New York City evolves, it’s always exciting to see our most treasured historic relics honored by new development projects. Many of us can trace our ancestry to Ellis Island, so its significance in American history cannot be overstated. In its early stages, the new museum appears to do our country, city, and ancestors proud. As this project comes to life, it will no doubt become another chapter in the Statue of Liberty’s incredible story, making the destination all the more memorable for tourists and New Yorkers alike.
When it comes to New York City real estate, most residents wish they had more space: to open up a wall and discover a whole extra room would be nothing short of a dream come true. But in a city with 27,000 people per square mile — the highest population density of any major US city — what you see is what you get, and usually what you pay for too.
But the idea of hidden rooms and passageways, even in New York City, is more than just the subject of millennial imaginations. A recent New York Times article tackled just that: hidden spaces, both new and old.
The older hidden spaces, surveyed by the Times, served practical purposes. In one Brooklyn church, for example, a stairway leads to a secret basement the size of a city block, once part of the Underground Railroad. Inside the Brooklyn Bridge, there’s a hidden Cold War bunker. Though you might enjoy the idea of secret passages for the novelty, many people have relied on them historically to stay safe.
That’s not to say secret rooms can only be bunkers. One couple in Brooklyn, for example, discovered a crawl space large enough to transform into a quirky playroom for their young daughter. Others pay contractors like Creative Home Engineering as much as $25,000 to build secret rooms into their homes for aesthetic or personal reasons.
In her three-bedroom apartment on 15th Street and Fifth Avenue, finance worker Sara Nainzadeh had a secret entrance built, opening up to a private office by a tug on a Shel Silverstein book. Asides from storing her safe, the room acts as a retreat from the world.
A couple in TriBeCa, the Watsons, have a secret room built entirely for books: a secret library that doubles as a guest room. Their Duplex on Warren Street is selling for $19.5 million.
Still, others have them implemented as a sort of long-term investment in an uncertain future. With the growing state of technological and government surveillance, many think a private escape is more than worthwhile. If there were needs in the past for such safe spaces, who is to say, 30 years down the line, they won’t be useful again?
Hopefully most of us will never need secret rooms for life or death reasons. But if such spaces do come back in style, why not run with it? A little intrigue in real estate is never a bad thing.
After a contentious presidential election in which immigration policy was, and remains, a crucial issue, Americans might consider their roots as a country of immigrants. As illustrated by this colorful animation, the United States has welcomed and (gradually) integrated a rainbow of people. Ellis Island began processing European immigrants as early as 1855, though the post did not fall under federal jurisdiction until 1892. Immigration slowed in the early 20th century due to the upheaval of the first world war, as well as new laws regulating and restricting immigration—an early taste of globalization. Until 1954, Ellis Island served as the portal for so many to this new world of opportunity. And their first stop was New York City.
New York is recognized as one of the most dense and expensive cities in the world, so how did all these newcomers get their start? How did they find the room and resources to settle in a teeming metropolis? As admirably documented and even reconstructed by New York’s own Tenement Museum, early immigrants lived in incredibly crowded conditions and worked hard to make ends meet. Modern day New Yorkers might scoff: How much more crowded can it get? The answer is very. Back then, tenants far exceeded the maximum occupancy requirements enforced today, and the overcrowding resulted in slum-like conditions.
Immigrants tended to settle into tightly-packed ethnic enclaves. These silos easily became self-sufficient, if situationally segregated, as described in the recently released City of Dreams by Tyler Anbinder. The New York Timesbook review summarizes nicely: “The social benefits of the immigrant enclave were immense, especially at a time when governments didn’t provide much in the way of garbage collection — roving pigs were about the best slum dwellers could expect until later in the 19th century — much less social services. […] Immigrant civic groups sprang up to meet every sort of need from the medical to the recreational to the spiritual.”
So New York City’s neighborhoods and culture were greatly shaped by these immigrant populations, giving us the Little Italy and Chinatown we know today. And the city’s current immigration stance recognizes its roots. Since 2014 the city has more than doubled its budget for immigrant services, like legal representation, and aims to integrate documented and undocumented alike with programs like IDNYC.
The experience of today’s immigrants is very different from that of 19th century immigrants: globalization has smoothed over many transitional difficulties and barriers. For those who settle here—perhaps after a roundabout journey and certainly with some degree of struggle and sacrifice—buying property can be symbolically powerful: a sign that they have arrived, they belong, and they own a piece of the American Dream. Although travel and language are not the obstacles they once were, institutions can still stand in the way of this transaction. Credit histories, international accounts, the intricacies of loans and mortgages, and the nuances of a real estate translated across a language barrier considerably complicate the process. And any New Yorker will readily tell you that the city’s uber-attractive real estate market is unlike anywhere else, with complex rules, interviews, appointments, fees, and paperwork to boot. The applied simmer of competition—with supply greatly outweighing demand—turns this all into a fine stew. Not to mention the ever-rising value of New York real estate.
An interesting and relatively recent federal program (1990) rewards foreign investment in American real estate with green cards. This program has a certain irony, since owning real estate would have been a challenge for immigrants in the past, but now investing from abroad affords investors the opportunity to live in the states. The EB-5 federal visa program gives legal residency to investors (and their dependents) who infuse half a million to a million upfront in real estate development deals.
This program has become increasingly popular since the market crashed and housing bubble burst. Loans are now harder to come by, so developers looked outward. Many large real estate projects in New York—Hudson Yards, Pacific Park, International Gem Tower, and the New York wheel—use a model reliant on foreign investment, since investors will accept lower interest rates with the added visa incentive. So to invite people abroad to invest in US real estate before they even arrive, and often independent of their eventual domestic residence, is the new and preferred method of immigration, particularly for the Chinese. This article by The Real Deal magazine is an in-depth look at the impact of this new wave of Chinese immigrants on the existing tenants of Chinatown and other areas of New York City real estate investment.
For an idea of what New York City real estate looked like to immigrants in the late 1800s, check out King’s handbook of New York City by Moses King, How the Other Half Lives by Jacob Riis, and take a tour of the Tenement Museum. Though it won’t stop New Yorkers from complaining about square footage, it will certainly put things in perspective, including the national debate on immigration.
If you leave New York City for any length of time, you will return to find it familiar and yet endlessly adapted–ruthlessly updated. In the city that never sleeps, that is both timeless and modern, that changes constantly and yet stands eternal, history takes on a special dimension that doesn’t take up any extra square footage.
In an admirable effort, residents and organizations have documented the rich history behind the myth and legend of New York City. Here are eight experts you should follow to keep up with the evolution.
Imagine your apartment building–perfectly preserved and inoculated by time–has reopened by historians. 70 years later, it can now toured by curious visitors. In viewing your perfectly preserved or restored apartment, they try to understand what life was like at this point in history: what has changed and what has stayed the same in this ephemeral city.
Touring other people’s apartments fulfills deep-seated voyeuristic tendencies inherent to New Yorkers, to whom space is a precious commodity. Touring a fellow New Yorker’s apartment removed by the span of several dozen years and a handful of generations is now a unique educational treat, courtesy of the Tenement Museum.
On a mission to document the immigrant experience and New York City’s tenement communities, historian and social activist Ruth Abram and Tenement Museum co-founder Anita Jacobson stumbled across a time capsule at 97 Orchard Street. Just one building on a block of many housed nearly 7000 working class immigrants during its lifespan. Operating from 1863 to 1935, tenants were subsequently evicted and the higher floors shuttered, due to a building code upgrade that never happened.
Discovered in this condition in 1988 and re-opened in 1992, the Tenement Museum in the Lower East Side is a fascinating and ever-expanding look into the history of the city, through the eyes of the people who fundamentally shaped it. It documents the struggle and magnifies the story of a movement in microcosm. Perhaps most fascinating for its focus on history through people and stories, the Tenement Museum is very much a living history.
This historian-curated feed is chock full of old photos and depictions of New York City, almost impossible to reconcile with the vividly technicolor, larger-than-life smorgasbord we see and hear today.
The Gotham Center, through the Graduate Center at CUNY, works to make New York City history available to the public for study and enrichment, pooling the resources of “professional historians, amateur buffs, museum curators, archivists, librarians, educators, filmmakers, and preservationists.” The Gotham Center was prompted by an award-winning book: Gotham: A History of New York City to 1898. Based on its success, author Mike Wallace established Gotham Center in 2000.
Founded in 1923 and formerly located in the official residence of the New York City Mayor–Gracie Mansion–the Museum of the City of New York features an eclectic and exceptional cross-section of New York City history.
For many, it seems that “living the college life” is retaining popularity post-graduation.
Through dormitories, college students gain social experiences and a sense of community: they love having a common area in their living quarters to meet new people, live steps away from restaurants or coffee houses, and can being sociable whenever they choose. These perks aren’t limited to the campus anymore, having carried over into the real world through a living arrangement called coliving.
The lifestyle is a mix between student housing and hotels: a community designed to foster relationships while still maintaining a sense of privacy. It’s an ancient concept that, before physical privacy, thick walls and houses became standard, might have been considered plain old “living.” As recently as the late 80s the concept was adopted from Denmark and is flourishing in the United States today. Shared living spaces are becoming increasingly common in major cities across the country such as Washington, D.C. and San Francisco. The trend is also spreading internationally in Seoul and London.
According to James Scott, COO of London-based coliving developer The Collective, this concept is booming is because many people, Millennials in particular, value experiences over possessions. With rental services for transportation, movies and mobile phones, the generation is trading ownership for experiences. This living arrangement is all about the experiences, making it a great fit for young people.
WeLive’s 110 Wall Street in Manhattan boasts fitness classes, an arcade, cleaning services and potluck dinners included in the rent. There is also a digital social network exclusively for the community that can schedule meetups and events via an app. The community is designed for young professionals constantly on the move and features fully furnished, month-by-month apartments with studio, one- and two-bedroom units.
This lifestyle reflects the changing times, as millennials are constantly on the move from job to job. “The way work is changing,” said Brad Hargreaves, founder of Common, a coliving community with many locations in New York. “It needs to be a little easier for people to move without a traditional 12-month lease.”
In addition, millennials are delaying big milestones, such as purchasing property, to later in their lives; little surprise, seeing as they’re saddled with an average of $26,600 in student loan debt. Combine that with job-hopping and the desire for experiences, and you have the perfect storm for young people to flock to these coliving arrangements.
Although many millennials are accustomed to this living arrangement from college, coliving is not strictly for young people, and not only those who’ve gone to college. Depending on the surrounding environment and the nature of its tenants, some communities, such as WeLive and Common, attract older professionals and entrepreneurs. Other spaces are suited for families, singles, and retirees.
The Market Common in Myrtle Beach, S.C. has a mix of residential and commercial space that attracts families and retirees. The urban village features a variety of shops, entertainment and dining experiences while maintaining a sense of community with its residents. There are walking trails, a central playground and playing fields. A co-living community in Berkeley, California has strictly residential space, but fosters a community with shared meals, carpooling, movie nights and shared parenting life. The proverb “it takes a village to raise a child” accurately describes life in this Berkeley community.
Whether it’s a high-rise complex in the middle of Manhattan or a small community in a suburb, coliving is starting to become the next big trend in real estate. Since we are now all accustomed to spending time by ourselves in front of a screen, maybe it’s time to get out into the world and experience a new lifestyle. One that encourages us to bond with communities could be the panacea to our digital woes and price concerns alike.
Every landmark has its secrets, and with one as rich as New York City’s Museum of Modern Art, the stories are almost certainly boundless. While the MoMA’s greatest secrets might always be just that — secret — we’ve rounded up some incredibly obscure and interesting facts about the museum. These tidbits of knowledge, while mostly limited to the minds of curators and tour guides, can help the everyday museum-goer understand the space with new context.
Here are six surprising facts of the Museum of Modern Art that you’d probably never guess at first glance, and how tuning in can enhance your experience.
1. John D. Rockefeller loathed modern art, but the museum was largely founded by his wife Abby.
Rockefeller’s wife Abby Aldrich Rockefeller was largely responsible for the founding of the Museum of Modern Art. You’d think that being the wife of a famously rich man, the job would be an easy one. On the contrary, her husband hated modern art, meaning Abby had to raise the funds without his help.
2. The MoMA is a microcosm of Manhattan itself.
The MoMA has had several homes and various expansions since its opening on 53rd street in 1939. The museum acquired more and more real estate over the years, and in 2002 expanded even further, retaining at its heart its pivotal sculpture garden. What many don’t realize is that the museum reflects the city as a whole.
“The model for MoMA is Manhattan itself,” architect Yoshio Taniguchi told New York magazine for a feature by Alexandra Lang. “The Sculpture Garden is Central Park, and around it is a city with buildings of various functions and purpose. MoMA is a microcosm of Manhattan.”
3. Two of Monet’s “Water Lilies” paintings were destroyed by fire.
One of the MoMA’s most iconic paintings is “Water Lilies” by Monet, positioned in front of a bench for relaxation and contemplation — as was the intent of the painter, who created them while suffering from cataracts as a “refuge of a peaceful meditation.” They were dismissed for many years as the product of a man past his prime.
Then, in 1958, a fire disrupted the art’s tranquility in the museum and destroyed two of the “Water Lilies” painting. The imminently popular triptych on display now was purchased as a replacement from Monet’s son.
4. Before landing at the MoMA, a taxidermied bald eagle caused a host of legal problems.
America’s bald eagle, while a striking symbol, is one not normally physically included in art — largely because it’s a protected species. So when Robert Rauschenberg put a taxidermied eagle in his 1959 masterpiece “Canyon,” it’s fate was relegated to limbo for a while because it was illegal to sell, despite its valuation of $65 million.
The feds agreed to drop the matter so long as “Canyon” be sold where it could be publicly displayed, which is how the work found its home at the MoMa.
5. One artwork, a fur-covered mug, was snuck in years before it was approved
Among the fifth floor painting and sculpture galleries is a fur-covered cup and saucer called Object by Meret Oppenheim. The idea was conceived by the artist while at lunch with Pablo Picasso, who remarked that fur could be put on anything.
This installation has a peculiar history: after debuting in Paris, it was purchased by the MoMA’s director for $50 of his own money in 1936, even though the trustees disagreed with its inclusion. Ten years later the trustees changed their tune; unbeknownst to many it had been in the museum all along labeled as an “extended loan.” Said chief curator Ann Tempkin for TimeOut NY, “It’s one of the great stars of our Surrealism collection; to think that our director had to sneak it in!”
6. A long-term exhibit in MoMA PS1 can only be seen through a floorboard.
The MoMa also has a branch in Queens called PS1, home to more abstract works of art, dubbed “contemporary.” The art of the contemporary is that it’s sometimes easy to mistake for non-art, and often difficult to grasp in meaning.
Some of these hidden gems, like “Selbstlos im Lavabad (Selfless in the Bath of Lava)” by Pipilotti Rist. Peek through a hole in the lobby floor to view the video, which presents the artist crying “I am a worm and you are a flower!” as she swims nude in an incandescent lava bath. Easy to miss, impossible to forget.
7. You can watch videos privately in the media lounge.
On the second floor of the MoMA, there’s a space where you can enjoy art in privacy if you aren’t up to walking among crowds. It’s a media lounge in which visitors can choose from the museum’s extensive video collection to view artwork on their own or with a small group.
The Media Lounge is also a piece of art in and of itself. Designed by artist Renée Green, the installation consists of colorful, expandable walls that can be shifted to create a viewing environment that fits the audience.
8. The only “free” work in the museum is the @ symbol
One of the most peculiar acquisitions in recent history by the MoMA is the @ symbol, a design both ubiquitous and singular, free and priceless. The symbol is public and dates back to the sixth or seventh century, though Ray Tomlinson chose the symbol for the first e-mail, imbuing it with new meaning and creating a symbol of the computer age.
Says the MoMA website, “We have acquired the design act in itself and as we will feature it in different typefaces, we will note each time the specific typeface as if we were indicating the materials that a physical object is made of.” Notes senior curator Paula Antonelli for TimeOut NY, “[The one] we show in the museum is silk-screened on the wall in American Typewriter font. You should think of it as a shadow of the design.”
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